Rock and Roll Music History in Asia Research Paper

Rock and Roll Music History in Asia - Research Paper Example It is not easy to believe, however there was once a time when there was not any trace of rock music. Many of the music historians guess the origins of the rock music back in the year 1954. According to them, it was the phase when the new form of music called â€Å"rock and roll† surfaced and revolted musical trends. The younger generation was happened to be most affected by this new form of music. Rock and Roll music changed the entire world of music and gave new waves of rhythms (Allen 54). This new form of music, of course did not originate in isolation, but was an outcome from the union of two musical forms. These two forms were rhythm-n-blues and country, along with a vista of technological enhancements that developed an innovative beginning of a music market. Similar to jazz, rhythm-n-blues created from the music form called blues. The blues songs were actually getting their concept and origin from African spirituality and work records sung by the African-Americans living the South. One of the greatest creators in the 1950s of the rock music, Little Richard has mostly expressed that rhythm-n-blues had an offspring and it was known as rock and roll. He was definitely right, and numerous eminent artists of Rock and Roll were also the part of the origination of the music form. Among many of them, there were Muddy Waters, Joe Turner, Ray Charles, and Willie Mae Thornton. Initially, the rock and roll became admired in small clubs and on the radio. Afterwards, with the introduction of some famous radio programs, teenagers were able to enjoy their favorite bands on television. Although, not everyone was enthusiastic about this form of music. The majority of the parents didn’t appreciate the evocative dancing, wayward lyrics, and piercing, fast beats (Gill 102). A little time earlier, specifically during the 40s and 50s, rhythm and blues were also growing. Initiated primarily in the rural areas blues created its way into the urban cities. Rhythm and blues were made up of quite peculiar and different styles, including doo-wop and black gospel tunes. Probably, its most crucial aspect was a particular type of twelve bar blues. However, conventional rhythm and blues artists were African American and the topic of the songs mostly had arousal references, it never completely obtained the approval of a national audience like several other famous sounds of the time. Also, most of the music rock and roll artists were the rebellious teenagers who started their musical career while disobeying their parents (Nash 115). In the history of Asian rock and roll, India has been a unique example among developing markets and had a record industry especially in the Gramophone Company of India. The records were largely available, including the rock and roll acts from Britain and the United States. Among these mid 1960s music groups, one of the most famous were the Mystiks originated from Bombay, the Flinstone from Calcutta and Madrasi Beat X. All these groups were influenced by the British invasion and hard rock. These music styles were mostly played regularly in Indian universities and colleges. The origin of Chinese rock music was supposed to be in Beijing. Being the nation’s capital, the genre of the music was tremendous criticized and generated a series of foreign impacts. It was unimportant for the majority of the 1980s, comprising of live shows in minor bars and hotels. The music style was nearly exclusively f or the purpose of high